« DerniĂšre salve » (Smutt – Poulpe, 2 nov.)

 

DĂ©jĂ , il avait coupĂ© ses dreadlocks et voilĂ  que maintenant il s’en va.  Au dĂ©but du mois dernier, Smutt donnait au Poulpe son dernier concert avec Mouss, son chanteur – depuis leurs dĂ©buts, je crois.

Le groupe aura rĂ©alisĂ© une dĂ©mo et un EP avec Mouss. Et marquĂ© le paysage haut-savoyard de leur rock’n roll survitaminĂ© dopĂ© au punk-hardcore et Ă  leurs paroles concernĂ©es – enfin, la plupart du temps.

Il y avait pas mal de monde Ă  ce concert et une ambiance mi-rigolarde mi-enragĂ©e qui correspond bien au groupe. Sur la scĂšne du Poulpe, avec un son Ă  la hauteur, sa musique  et les harangues rugies de Mouss avaient de l’ampleur et de la puissance.

Le groupe avait plusieurs disques de prĂ©vus. On verra bien ce qu’il nous rĂ©serve. Quant Ă  Mouss, on peut le retrouver dans son projet folk-punk solo, al Gharib, qui joue bientĂŽt prĂšs de chez vous.

 

>>>>>>>> SMUTT

>>>>>>>>> AL GHARIB

« Amphetamine reptile dans ton salon » (Bug – Usine, 1er nov.)

Bar In Grad, c’est la version light de Kalvingrad. Concerts un peu plus tĂŽt que d’habitude, prix libre. On commencera directement avec BUG, vu qu’une arrivĂ©e tardive ne permet pas d’apprĂ©cier le set de Bar, ni celui de Lunch Ă  Urgence disk un peu plus tĂŽt – qui, paraĂźt-il, Ă©taient tous deux trĂšs bons dans leur style. L’Usine, on pourrait y passer sa vie.

Bug, drĂŽle de bestiole. Une vingtaine d’annĂ©es d’existence, environ huit disques Ă  leur actif, une notoriĂ©tĂ© plutĂŽt relative. C’Ă©tait la premiĂšre fois que les Autrichiens passaient Ă  l’Usine. Musicalement, c’est aussi dĂ©viant et rĂ©tif Ă  la classification. Touche-Ă -tout. Blues titubant implosant en noise-rock chauffĂ© Ă  blanc. Disco vrillant Ă  la crise de nerf. L’expression de Bruno Drone to the bone – « blackened noise-rock » – rĂ©sume assez bien la chose.

Sur scĂšne, c’est d’abord la prĂ©sence du chanteur qui marque. Pas trop d’inhibition, ni au niveau vestimentaire ni au niveau de la danse. John Travolta d’Allemagne de l’est qui aurait fait un tour par la case prison. Ultra-expressif, théùtral, il incarne et orchestre la folie du groupe. Des flashs du concert de The Conformists – autre band conduite par un crooner excentrique – reviennent Ă  l’esprit.

Moins dĂ©monstratifs, le reste du groupe ne fournit pas moins une performance irrĂ©prochable. HonnĂȘtes artisans d’un noise-rock obscur, frelatĂ©. On pressent parfois un air de famille avec les groupes gĂ©niaux d’Europe du nord comme Arabrot ou Raketkonen. Eux aussi conviĂ©s par Drone to the bone dans ces murs par le passĂ©. Tiens, tiens.

L’originalitĂ©, la sincĂ©ritĂ© et l’engagement du groupe font de ce concert un moment mĂ©morable. Groupe gĂ©nial devant une poignĂ©e de personnes.

On est habitués.

>>>>>>>>>> BUG

>>>>>>>>>> DRONE TO THE BONE

SLOKS – Holy motor LP

SLOKS Ă  plein rĂ©gime. AprĂšs un 10″ numĂ©rique et un 7″ hautement inflammables, les Turinois gravent dix brĂ»lots dans la chair tendre d’un vinyle. EnregistrĂ© au Swampland studio Ă  Toulouse, ce premier LP balaye immĂ©diatement toute pseudo-interrogation sur la capacitĂ© du groupe Ă  tenir la longueur. Le son frappe d’entrĂ©e, plus spacieux, plus tranchant que sur les enregistrements prĂ©cĂ©dents. Sans pour autant trahir le cĂŽtĂ© crade et totalement dĂ©viant du groupe – au contraire, la distortion est omniprĂ©sente. Parasite, sifflante, grĂ©sillante, elle s’infiltre et infecte la moindre parcelle du son. La bĂȘte est lĂąchĂ©e.

Les ritournelles rock’n roll Ă©chevelĂ©es et imperturbables de Buddy Fuzz – comme James Dean nonchalant au volant de sa bagnole lancĂ©e plein gaz en direction d’un ravin dans La fureur de vivre. Ou alors le gars qui zigouille des zombies la clope au bec et l’air blasĂ©. Chantons sous la pluie, sifflotons dans le chaos alors que tout s’Ă©croule autour de nous. La batterie, uniformĂ©ment punitive et viscĂ©rale. Et la voix d’Ivy Claudy, lamentable, magnifique, tour Ă  tour menaçante, geignarde ou hystĂ©rique et toujours sur le point d’éclater en sanglots ou en imprĂ©cations maniaques. La machine SLOKS tourne Ă  plein et vomit un rock’n roll primal et flippant. En ouverture de l’album, One up est sauf erreur le seul titre non-inĂ©dit, puisqu’on le trouvait dĂ©jĂ  sur l’EP Ă©ponyme. Mais cette version sauvage et speedĂ©e est pleinement justifiĂ©e. Certains morceaux restent dans cette veine rock’n roll enlevĂ©e et orgiaque (Lost memory, Tuning radio) tandis que d’autres (Holy motor, Jazz is dead, la fin de One Up) plongent dans quelque chose de plus sombre, de plus vicieux, dans les parages du noise-rock de psychopathe de Brainbombs. Voire ralentissent franchement le tempo comme le dĂ©licieux Rat. RĂ©pĂ©titif, torve, sournois Ă  souhait. Rhaaaaa, lovely – clairement mon morceau prĂ©fĂ©rĂ© du disque.

Ce fond de dĂ©sespoir mis en musique rĂ©tro crĂ©e une sorte de théùtre tout en rĂ©verbĂ©ration flippante et couches de fuzz mutantes, oĂč les Ă©motions sont exacerbĂ©es et pathĂ©tiques, et qui Ă©voque un autre grand groupe de rock’n roll expressionniste, les Cramps. Le turbo-garage de SLOKS ne déçoit en rien et prend au contraire une dimension encore plus malsaine, plus dĂ©sespĂ©rĂ©e et cynique et belle. Reverend beat-man ne s’y est pas trompĂ© qui, aprĂšs avoir vu le trio par hasard une aprĂšs-midi de festival, s’est Ă©criĂ© qu’il allait signer immĂ©diatement sur son label Voodoo rythm records un groupe italien incroyable avec une chanteuse suicidaire – dont il compare la performance Ă  la Lydia Lunch des dĂ©buts. Vous savez donc ce qu’il vous reste Ă  faire, se ruer de toute urgence sur cet album essentiel. En attendant la tournĂ©e qui devrait nous heurter de plein fouet dans quelques mois.

>>>>>>>>>> SLOKS

>>>>>>>>>> SLOKS THE TURBO-GARAGE INTERVIEW

>>>>>>>>>> VOODOO RYTHM RECORDS

« ChAOS = OK » (Varukers, The Turin horse – 10 oct.)

Affiche plutĂŽt europĂ©enne ce soir-lĂ  Ă  l’Usine – comme l’a fait remarquĂ© quelqu’un. Les lillois de Psychophore (avec un(e) membre de 20 minutes de chaos) jouaient d’abord, suivis de Coupe-gorge, un groupe punk-oĂŻ genevois trĂšs actif en ce moment. J’Ă©tais pas lĂ  pour ces deux groupes mais quiconque veut savoir ce qu’il en Ă©tait peut regarder ici ou lĂ .

ArrivĂ©e tardive donc, au milieu du set des punks anglais The Varukers. Groupe historique assez proche,  idĂ©ologiquement et musicalement, de Discharge, dont il compte – ou comptait, suis pas allĂ© vĂ©rifiĂ© – des membres. Le chanteur annonce que le groupe cĂ©lĂšbre ses 40 ans d’activitĂ©s l’an prochain. Ce qui d’ailleurs ne fait pas rĂ©agir grand monde. Est-ce que c’est du au degrĂ© d’Ă©briĂ©tĂ© dans le public ou au niveau moyen du punk genevois en anglais, ça j’en sais rien.

N’empĂȘche que leur set reste bien agressif. Toutes crĂȘtes dehors, avec paroles haineuses contre les gouvernements, le capitalisme et la guerre et accent anglais Ă  couper au couteau, comme il se doit. Enrico, le guitariste de Turin horse qui joueront juste aprĂšs, racontera que, lorsqu’il est montĂ© sur scĂšne Ă  la fin du set pour fĂ©liciter le guitariste, celui-ci lui a rĂ©pondu « C’est sympa, mec, mais j’en ai rien Ă  foutre. » Ha ha.

Initialement prĂ©vus Ă  la Makhno, Ă  l’Ă©tage au-dessus, The Turin Horse avaient Ă©tĂ© rajoutĂ©s sur l’affiche. L’occasion de mĂ©langer les publics, aussi bien. Le 1er EP de ce duo turinois avait fait carrĂ©ment forte impression et on peut d’ailleurs lire son interview par ici.

Enrico – T-shirt de PĂšre Ubu, petit, trapu et jovial – et Alain –  longiligne, tatouĂ©, plus rĂ©servĂ© – sont deux gars Ă  priori assez diffĂ©rents. Mais sur scĂšne c’est une seule et mĂȘme crĂ©ature enragĂ©e, Ă©cumante et tentaculaire. On reconnait The regret song et The light that failed, les deux morceaux du EP – pas de reprise d’Unsane ce soir-lĂ  . Et on dĂ©couvre tout un tas de brulĂŽts tirĂ©s des mĂȘmes charbons ardents, qui devraient fournir la matiĂšre de l’album Ă  venir. L’ambiance est Ă  peine tempĂ©rĂ©e par un morceau plus calme, atmosphĂ©rique et menaçant, au mileu du set. Comme du Pink floyd acide.

C’est quand mĂȘme autre chose de les voir sur scĂšne. On se rend compte de la prĂ©cision et de la force de frappe du duo. Emotionnel, chaotique et Ă©vocateur, leur noise-rock furieux transcende les genres et pourrait certainement parler Ă  des gens de tous horizons. En tous cas, il a fait le bonheur des 15 personnes prĂ©sentes, qui hurlent leur enthousiasme Ă  chaque morceau et empĂȘchent le groupe de quitter la scĂšne Ă  la fin du concert.

Ben ouais, il y a encore des gens prĂȘts Ă  rester Ă©veillĂ©s jusqu’Ă  deux heures du mat en semaine pour ĂȘtre tĂ©moins de ça.

>>>>>>>>>>>> THE TURIN HORSE

>>>>>>>>>>>> THE VARUKERS

>>>>>>>>>>>> DRONE TO THE BONE

« Science of nonsense » : an interview with Frana

A trail of fanzine reviews and band connections led me to Frana and their own brand of twisted, frantic and yet melody-driven punk-rock. One thing leading to another, the Italian foursome is coming to rock Geneva beginning of November and Luca (vocals, guitar) and Francesco (bass) accepted to answer this little interview.

There’s something in your sound – especially in the voice – that reminds me of some post-punk bands from the 1980s. Are you interested in bands of that period?

Luca : Hmm
 The 80s
 Hmm
 Not sure, my references are more placed in the 90s. But I don’t know, most of the time I just do something clueless of where it comes from.

Francesco : It’s not the first time somebody makes this connection. After one of our last shows, a guy from the audience told Luca that he sings just in the same way as Boon from Minutemen – of course he doesn’t recall this. Talking for myself, some of my favorite all-time punk bands are from the 80s. Take HĂŒsker DĂŒ, Mission of Burma, Big Black, Fugazi. We actually recorded a version of Chartered Trips by HĂŒsker DĂŒ in a tribute compilation by TBTCI.

And I love 80s brit post-punk, which I think is a mandatory inspiration for a bass player. Wire, Gang of Four, Joy Division



I believe you live far away from each other. How do you manage to make the band work nevertheless? Can you see any positive aspects to this situation?

L : It has been more complicated than this. Frana was born in Germany. Francesco and I lived in Munich for a few years, and there it all started. We had no friends and we decided to start a band. Then in 2015 both of us moved back to Italy. It’s complicated
 at some point we were living 1000 kilometers away from one another with the Alps in between: drummer in Munich, bass player in Florence, guitar player in Genova and myself in Milano. It’s much better right now, just a few hundred kilometers, we sort of manage to practice regularly. Positive aspects? Hmm
 not many. Well, we don’t see each other so often, so we have no chance to get annoyed by each other. Lol.

F : Yeah, I live in Florence, but we are all within 300 km from each other. The key to success with this situation are trains and highways
 We found some sort of balance. Writing a record in this configuration was very different from what I was used to before. You know, you can’t just go to the practice room and dick around. You have to make the best out of every session and do your homeworks. Maybe you can say it’s even more efficient, just maybe.

The cover of your LP, « Awkwardwards », is pretty cool. Who drew it?

L : Silvia Sicks, a friend we have first met when we played in Rome. I had an idea for some crazy drawings, I tried to explain it to her and she nailed it ! She’s also a songwriter and we’ll play a couple of shows together with her acoustic project “Tunonna”. My favorite element on the cover is the flying cement-mixer-monster, it is the very same “Panpo, the destroyer” that gives the title to the album’s second track. The cover tries to express what is the “Awkwardwards”. This is obviously a self-made word, which could be rephrased as “towards the awkward”. Besides the meaning, I like it coz it sounds quite wrong.

There seems to be quite a lot of nonsense involved in the aesthetics of Frana. Nonsense can be seen as a response to a bewildering situation. So what are the bewildering situations you are reacting to, if any?

L : I like the nonsense and I use it a lot, for fun or sometimes even as a way of life. I like it better than struggling to find deep meanings, as in our lyrics. It’s a fairly free expression of something you have in mind, outside the typical borders, and the boredom of rationality. Clearly, nonsense is never really nonsense
 If your brain produced something, some association of words, some ideas that might look random, it’s never really nonsense, just you don’t understand it, maybe you will one day, maybe you won’t ever. There’s always something more than mere aesthetics.

F : I guess the whole universe is fairly bewildering, when you think about it. I mean, not so long ago, dinosaurs were ruling the earth. “God creates dinosaurs, God destroys dinosaurs. God creates Man, man destroys God. Man creates dinosaurs.” Will we ever witness the end of our galaxy, swallowed altogether by a supermassive black hole? Nah, I guess we’ll awkwardly destroy ourselves and everything else, well before that point.

Are there any band or artists that you found particularly inspiring in that (non)sense ?

F : Devo. Very surrealistic. Shellac as well. And how to forget Blue by Eiffel 65.

Do you think a rock song can reach the status of a classical piece of art or will it remain a piece of pop culture, easily consumed and then forgotten ?

L : Well, music is on the internet nowadays. So as long as the internet exists, music exists, even if it’s gonna be forgotten, it’s gonna be still there, ready to be discovered again.

F : That’s a difficult one
I don’t see a clear contrast between art and pop culture. The border is fading.

What are the italian or german bands that are close to your hearts and that we should be aware of ?

L : On the german side, I’ll go for Trigger Cut, brand new band. Our former drummer plays in there with Ralph that we know from Buzz Rodeo (RIP). My pick of the week it’s them, they just released some very juicy material and we’ll be sharing the stage with them in January.

F : The Italian side on me. Check out Lleroy, cool people and furious shows.

You guys are creating music, putting out records and touring regularly in a DIY/independent network. What is the best thing about that and what is the one that you like the least?

L : The best part of it is that people do that only because of passion and enthusiasm, because they feel it and the want to do it, no money is involved. The other side of the coin is that it’s difficult, as there’s no money involved it’s hard to manage shows, get even with traveling costs. And the record market, at least in Italy, it’s quite down, as much as the “generational change” failed. Young kids are not interested in rock and punk music anymore, so bands grow old together with their audience.

Do you like reading about music? Is there any magazine or website that you check regularly?

F : I regularly check a few zines, like Perte et Fracas. But to find new stuff I mostly rely on friends’ opinions and word of mouth. Very old school and not much time.

 

Are you active in any other way in the punk-rock scene, musically or otherwise?

L : In the past, back in 2004-2009, I used to organize shows in Milan and the suburbs in several squats and bars. When I moved to Munich, I started over, it took a while but I used to organize shows in a very lovely spot called Kafe Marat. Now, that I moved back to Milan, I’m not putting up shows, at least for the moment, not much time and no place where I can do it, but I’m trying to get back doing that. That’s my personal contribution, besides playing in bands, to the punk-rock-noise-metal-hardcore-whatever-diy scene.

You’re going to play Geneva in November. Can you tell us a little bit about this tour?

F : Well, that weekend we have been invited to play in Stuttgart
Geneva is right on the way back to Milan, glad it worked out! It will be our first time in Geneva. The following week we’ll be playing a bunch of shows in south France. Then Italy, with some more shows in November and December, and more Germany in January (for all the dates check our Facebook page). We love to play in Switzerland, we used to know the guys from Deadverse (RIP)
 We should do definitely do it more often. Book us if you like our stuff !

>>>>>>>>>> FRANA

« Noise punks » (It’s everyone else, Makata-O, Gerda – Zona mutante, 7 oct.)

Concert hors des radars. Dans un squatt hallucinant sur les hauteurs de GenĂšve et devant une poignĂ©e d’allumĂ©s noctambules. Trois groupes qui passaient par lĂ , pour qui le punk n’est pas affaire de chapelles.

Gerda viennent d’Italie. Gerda est une boule de feu, une boule dans le ventre. Une bĂȘte blessĂ©e mais pas morte. Un truc concentrĂ©, noir, explosif. Noise, hardcore, punk, post. Gerda s’en fout, n’en fait qu’Ă  sa tĂȘte. Mais Gerda a jouĂ© en premier ET J’AI LOUPÉ GERDA.

Merde, merde, mierda.

C’Ă©tait quand mĂȘme une bonne occasion de rencontrer ces frĂšres d’armes des NorvĂ©giens enragĂ©s de Moe – avec qui ils ont partagĂ© un split. TrĂšs sympathiques, ils essaient mĂȘme de me remonter le moral en me racontant le jour ils ont fait six heures de voiture pour arriver Ă  la fin du concert du groupe de grind qu’ils Ă©taient venus voir.

Pour se venger, on improvise une petite interview avec les Italiens. Puis on se rattrape (un peu) avec la bonne bouffe vegan prĂ©parĂ©e pour l’occasion et les allemands de Makata-O. Basse batterie gras, sale et rampant. On dit sludge dans les milieux autorisĂ©s.  Et It’s everyone else, duo slovĂšne aux sonoritĂ©s synthĂ©tiques tonitruantes – avec quelques passages plus aĂ©riens oĂč la voix de la chanteuse dessine des mĂ©lodies douloureuses –  et qui aurait pu accrocher  autant les fans d’Atari teenage riot que ceux de techno hardcore.

La chouette photo de Gerda est de Olive du fanzine Debout les braves ! Merci Ă  lui !

>>>>>>>>>>GERDA

>>>>>>>>>> IT’S EVERYONE ELSE

>>>>>>>>>>MAKATA-O

>>>>>>>>>> DIY ANTI-SOCIAL CLUB

 

 

 

 

 

« En lambeaux dans le chaos » (Tuscoma, Coilguns – L’Ecurie, 22 sept.)

La petite cour devant l’Ecurie est presque noire de monde lorsqu’on arrive. Drone to the bone fĂȘte ses 9 ans et, malgrĂ© quelques concerts moins suivis, sa programmation radicale et avant-gardiste est incontournable pour les amateurs de bruit et de fureur. Puis faut dire que Coilguns est prĂ©cĂ©dĂ© d’une sacrĂ© rĂ©putation sur scĂšne, hĂ© hĂ©. A peine le temps de passer au bar, que Bruno annonce le dĂ©but des hostilitĂ©s avec Tuscoma. C’est parti !

Loins d’ĂȘtre des inconnus, ce duo nĂ©o-zĂ©landais officiait auparavant sous le nom de Hollywoodfun downstairs – passĂ©s Ă  GenĂšve il n’y a pas si longtemps d’ailleurs (dĂ©jĂ  en formule Ă  deux). Le groupe a opĂ©rĂ© une mue progressive : originellement trio, ils pratiquaient un punk noise qui se prenait parfois des coup de speed ultra-rapides et hurlĂ©s qui faisaient leur particularitĂ©. Des surfeurs de satan en quelque sorte, mais qui ne crachaient pas sur les mĂ©lodies. Sous le nom Tuscoma, le speed prend le devant de la scĂšne et le surf reste au placard.

Mur du son quasi ininterrompu. Blast-beats impitoyables et voix hurlĂ©e en arriĂšre-plan comme sous le choc d’une Ă©lectrocution continue, dont l’effet est encore accentuĂ© par l’Ă©clairage aux nĂ©ons blancs Ă©blouissants. Je sais pas si le public attentif et statique est comme moi, lĂ©gĂšrement surpris et dubitatif devant la dĂ©charge sonore des nĂ©o-zĂ©landais fortement dĂ©conseillĂ©e aux Ă©pileptiques. Pas inintĂ©ressant, loin de lĂ , mais on respire un peu quand le groupe retrouve du groove avec le dernier morceau et sa rythmique presque garage.

Les quatre lascars de Coilguns font une entrĂ©e bien classe en trinquant sur scĂšne (whisky ?), instruments dĂ©jĂ  en place. Ca sent le savoir-vivre et la camaraderie. Et l’envie d’en dĂ©coudre aussi. DĂ©s les premiers accords, Louis Jucker, le chanteur, se jette sur les premiers rangs, dans un espĂšce de saut de l’ange mi-ruĂ©e de mĂ©lĂ©e, mi-pulsion suicidaire. Le groupe place son concert sous le signe de la tension maximum, de la folie, de la confrontation avec le public et de l’envie de vivre un moment tarĂ© avec lui.

Et c’est exactement ce qu’ils firent. Coilguns soumet le public Ă  un feu nourri et interrompu de leurs brulĂŽts hardcore-noise-metal qui ne se soucie pas trop des genres et de la biensĂ©ance, tant que ça dĂ©fouraille. Et parfois avec tout Ă  coup un groove Ă©lectrocutĂ© gĂ©nial Ă  tomber. Coilguns sait mĂȘme faire le rock.

L’intensitĂ© Ă©motionnelle et l’engagement physique ont quelque chose qui rappelle certains groupes hardcore des annĂ©es 90. Born against ou Heroin, au hasard. MĂȘme si c’est pas exactement la mĂȘme chose Ă©videmment. De mĂȘme les danses folles et le discours personnel et inconventionnel du chanteur entre les morceaux, trĂšs loin des poses habituelles dans ce genre de musique. En sortant de ce concert Ă©reintant, tu ne sais plus grand chose mais tu sais au moins que tu as vu de la musique vivante.

>>>>>>>>>> TUSCOMA

>>>>>>>>>> COILGUNS

>>>>>>>>>> DRONE TO THE BONE

« No GVA » (Massicot, Lithics – Usine, 17 sept.)

Pas mal de monde Ă  l’Usine ce lundi soir-lĂ  – une fois n’est pas coutume – pour une soirĂ©e estampillĂ©e, disons, post-punk.

On ne prĂ©sente plus Massicot, qu’on voit jouer trĂšs rĂ©guliĂšrement Ă  GenĂšve. Mariage des contraires. Grooves chaloupĂ©s et vagues fraĂźches de dissonances stridentes, mĂ©caniques. Voix qui semble flotter au-dessus de la musique, immuable, rĂ©pĂ©titive, indiffĂ©rente. Bande-son drĂŽle et un peu angoissante d’un Buster Keaton dada.

La sonorisation dĂ©licate permet d’apprĂ©cier les nuances de la musique. Son espĂšce de prĂ©sence-absence, qui semble voulue, recherchĂ©e, travaillĂ©e par les trois musiciennes dont l’interaction avec le public est assez minimale.

Les amĂ©ricains de Lithics, eux, terminaient plus d’un mois de tournĂ©e. La veille, ils jouaient Ă  Lyon et Ă©taient plutĂŽt frais pour cette date. Le lendemain, ce serait Prague.

Lithics, c’est ce qui a rapport Ă  la pierre (nous rappelle une publication distinguĂ©e). Voix dĂ©tachĂ©e et immuable de la chanteuse, preuve de l’ADN post-punk commun avec Massicot. Son des guitares tranchant comme des lames de rasoirs. Aigrelet, dĂ©sossĂ©, transparent. Batterie sĂšche et raide. MĂȘme la basse Ă  des airs de jouet.

De cette formule minimaliste qui rappelle les Minutemen – autre ancĂȘtre commun qui pourrait rapprocher les deux groupes -, Lithics tire des morceaux au cordeau, dansants et absolument  imparables. Tubes millimĂ©trĂ©s qui parsĂšment leur dernier LP et qui prennent un malin plaisir Ă  dĂ©vier rĂ©guliĂšrement de leur route droite et bien traçée.

>>>>>>>>>> MASSICOT

>>>>>>>>> LITHICS

 

Exo-planets of noise-rock : an interview with YC-CY

Swiss German band YC-CY totally blew some of us out last year with their Todestanz Lp (including a song that is compulsary listening). So their show in La Makhno (Usine, Geneva) in May was a chance not to be missed. « It’s the first time we’re doing an interview », says YC-CY guitarist Mike, almost shily, with no suspicion of what a pleasure it is for the interviewer to record the carefully thought-out answers of the young band – kind of felt like taking the pulse of a sportsman. This conversation took place on the upper floor of l’Usine. Mike, Rune (voice) and Gregor (drums) were sitting on the beds. Remo (bass) was on a ladder breathing the smoke of a cigarette out in the night. And this is what we said.

Is there any special meaning behind the name YC-CY ?

Mike : No, we like it because it is symmetrical. I think it is interesting because it doesen’t mean anything but it makes you think about what it could mean.

I thought maybe it meant « Why see ? See why ! » 

Rune : Nobody thought about that.

Mike : I thought about it ! That’s my favourite version of the name, actually.

Is there a will from your part to make something a bit obscure, not so easily accessible ?

Mike : We don’t necessarily look for it but we are probably like that so it just automatically happens. Like for example on the first record all the names of the songs are animals in German. We didn’t have any lyrics at first so we just named the songs by the animals that they reminded us of. And then we thought, cool ! Why not ? A lot of stuff about the band seems really planned out but it’s really spontaneous.

Remo : And on the second album it’s all exo- planets.

Mike : Planets that are not in our solar system.

There’s always this notion of distance. Exo-planets, it’s
 far away !

Mike : Exactly. And then the cover looks like space with an an explositon but it’s really a photo of the ocean and the thing that looks like an explosion is a jellyfish.

It’s not really easy to label your music. How do people react to it ?

Mike : People who like punk music think it’s interesting but also a little weird. And then there’s some people who are looking for that kind of music.

Remo : There is not really a scene for this kind of music and when we started we were really wondering if people would like it. When you’re writing punk or hardcore you know people will like it.

Are you talking about your local scene or in general ?

Mike : Some of our worst shows are at home. I honestly just think they don’t like that kind of music that much. Which is totally understandable.

Remo : And playing more shows and finding people that are interested in that kind of music or playing with other bands that do similar type of music outside of Switzerland made us realize yeah there is a scene we didn’t know about !

Rune : People walking out at shows. It’s always funny. It’s not really a thing that you would wish to yourself. We sound so weird that people don’t know what to do with it. At least you can protect yourself with that kind of thought.

Mike : It’s a reaction at least !

Rune : And then you discover that there are actually some people who listened to it, who actually know some songs and have come to the show and you don’t have to protect youself anymore.

Mike : When we go on tour, we never expect too much. One night it’s crowded and everybody’s dancing and the next it’s ten people and they don’t care !

So do you find punk music too conservative ?

Remo : We all wanted to do something new but we all like punk bands as well.

Mike : All these conservative – if you want to call it that – punk bands, we all like them. But we’ve played in a lot of bands already so we wanted to try something new. But we like the Ramones !

What is a good concert for you ? What type of contact with your audience are you looking for ?

Mike : I really like when people dance cause to me the music is really dancy. But I don’t know if it comes across like that always. I don’t see it as hardcore at all. I see it as just dancy but really dark and spacy.

Rune : We played our first concert in April and – we had that in Milano before – people really engaged with the music, pushing the stage, almost pushing me off the stage. It’s a really infectious thing, this excitement, this vibe that everybody gets into, where you will do some stuff that you wouldn’t necessarily do normally.

Mike : People kind of forget about themselves and just let loose. And then when the band stops everyone is normal again. It’s cool, I think. It’s interesting.

Rune : It can also be a good show when people just liked it. Or they didn’t like it but you just had fun.

Are there any bands that you saw and that inspired you to cross boundaries and do your own thing ?

Remo : We talked about it before a little bit. Some yeaurs ago we came here in l’Usine to see Retox. I didn’t know them and didn’t expect anything. It was different, really powerfull and the audience had this punk spirit but the music was not something that usual punk bands would play. It was weird but really intense. That was one influence. Punk but different.

Rune : I admire bands that can put on a really crazy show even if not much is going on. Just doing their thing. I don’t really understand how you do that.

Mike : They’re just really confident. About your original question, I think we all really like The Cure. Heavy but not melodic and not hard. A little funky, a little dancy. that’s what we’re trying to do as well.

Do you think that local scenes still have a relevance in our internet age ?

Mike : Yeah, definitely. We live in a really small town but the scene there is really good. There are record stores and studios, places to play and a lot of bands. Even an independent radio station and they play our songs ! Nothing to complain about, really. I just believe that it’s really not the kind of music that people who live there want to listen to.

Are you active in any other ways in your local scene, apart from the band ?

Remo : Yeah, we are setting up shows, playing in a lot of local bands as well. (Remo has also started a label called order05records and Mike is playing in the experimental band Tumortumor. – Ed.) We were doing shows in our practice space for a while. When we did the first show, we were kind of expecting the police to turn up because the place is like an apartement in a basement but then we ended up putting up shows there regularly !

Mike : There are also clubs where we know the people and where we sometimes do shows.

Do you like reading about music ? Do read any special website or magazine ?

Remo : Yeah, I really like to read interviews when they go a little deeper than the usual questions. And also band biographies and books about music.

Mike : I really like Ox fanzine. I check that out for reviews mainly. And I just discovered Perte & fracas. He reviewed one of our records and now I check that out too. We’ve all done French at school but we never use it. So I can read in French, even if it sometimes take me a long time to understand. I feel he’s always spot on and knows a lot about music. I’ve discovered a lot of records. He’s probably my favourite
 I even like Noisey and Vice and all that stuff.

Remo : The book that I’m going to read next is called Fight your own war. It’s about the noise-punk scene. And we talked about Retox. I read two of Justin Pearson’s books, too. The first one was OK but then the second one I hated.

Mike : The second one made me dislike him a bit too…

OK, next question ! Your two records have come out on X-Mist records. Can you tell me how it happened ?

Remo : We released the first record by ourselves – 100 lps, we didn’t know if anybody was going to buy it. Somehow he heard it, made a review and really liked it. So he ordered a lot of Lps. Half of them I think. When it sold out, he did a repress, and then another repress. And then he told us that if we were going to do a new album and he liked it, he wanted to have us on his label.

The sound is a bit different on the second album. Did you go to a different studio ?

Remo : (Laughs) We didn’t go to a studio for the first one! We recorded in our rehearsal space. We did it all by ourselves. We didn’t know what to expect and then when we were mixing it and it was coming together, I was like « Wow ! This sounds really good ! Who knows, maybe someone will like it ? »

Mike : We didn’t know what we were doing. It was a lot of work to do it ourselves.

Rune : Insanely stupid !

Remo : We lived in the studio during five days for the second album. Became kind of friends with the guy who recorded us, who was really into it.

Mike : He was super sweet. We’ll probably go there again for the next album.

Which should be on your label, Remo ?

Remo : Maybe, we’re not sure yet.

Did you play some new songs tonight ?

Mike : Yeah, two. We’re trying them out. I think, just like the second record is more dancy than the first one, the next one is going to be even more dancy.

You’re very much into dance (laughs). Do you like dancing ?

Mike : A lot.

Remo : We wanna do horror disco !

Mike : Even, like, gothic
 I love it.

You guys have very lively and rythmic parts and other that are more ambient/noisy stuff. It makes the songs quite long – that’s good – and during the shows you don’t have a lot silence.

Remo : We try to have one long song as the whole set !

Mike : When you’re watching a band and you’re really into it and after the songs it’s like « CRRRRR… » and it’s quiet. I think it’s nice when it’s more like a movie. There’s always something happening and you’re never getting out of it. And if you don’t like it, it’s like torture ! (Laughs) It’s good because of the contrast. The long parts seem longer and the fast songs more chaotic. It’s like a rollercoaster. Only long songs would be boring but the two different parts kind of charm each other
 I think.

Plans for the future ?

Remo : This year we’re going to try to record a new album and then play a lot of shows.

Mike : We have a lot of songs already.

>>>>>>>>>> YC-CY

>>>>>>>>>> ORDER05RECORDS

>>>>>>>>>> TUMORTUMOR

« La rentrĂ©e des punks » (Nurse, Smutt – Rocailles, 16 sept.)

La plaine des Rocailles, prĂšs de Reignier, est connue pour le festival du mĂȘme nom, ressucitĂ© depuis quelques annĂ©es. Les BĂ©rus sont quand mĂȘme passĂ©s ici.  En plus, avec sa vieille falaise d’escalade, elle a un petit cĂŽtĂ© destroy, un petit cĂŽtĂ© dĂ©glinguĂ© qui se prĂȘte bien au barbecue punk que les Punks sportifs organisent chaque annĂ©e.

Punks sportifs qu’on arrive trop tardivement pour voir, d’ailleurs. Smutt est dĂ©jĂ  en action sur la petite scĂšne du camion des Punks spo. Du bricolage de gĂ©nie.

RemontĂ©s comme des coucous suisses, les Anneciens balancent leurs rafales de punk-rock furibard et festif Ă  la fois. Ca enchaĂźne, c’est fluide, la volĂ©e de poudre Ă  canon passe toute seule. Aux derniĂšres nouvelles, ce groupe parmi les plus actifs de la scĂšne locale devrait sortir un ou plusieurs disques. Et aux toutes derniĂšres nouvelles, il pourrait Ă©galement y avoir du mouvement de personnel. Donc, on verra bien ce qu’on verra.

Le concert de Nurse qui suivait Ă©tait en quelque sorte le vernissage de leur gĂ©nial album, tout juste sorti en version vinyle. « C’est la rentrĂ©e et on a pas fait les devoirs de vacances », balance Ben avant de monter sur scĂšne.

Mais il Ă©tait dit que, ce jour-lĂ , il y aurait du rock. Les pĂ©pites Ă©mo mĂ©lodiques et rageuses du groupe sont une machine Ă  faire monter l’Ă©motion et la pression. Et elle monte, jusqu’Ă  un final sauvage avec telecaster balancĂ©e dans la batterie.

Les stands de distro permettaient de complĂ©ter sa collection de productions de la scĂšne locale. Crankcase et Motocross pour ma part. Pas déçu du voyage d’ailleurs. Ce moment de rock Ă©tait prolongĂ© par les sons des platines de, entre autres, DJ Blender, aussi connu sous le nom de Greg la chocolatine.

On est en Haute-Savoie quand mĂȘme ou bien ?

 

>>>>>>>>>> LES PUNKS SPORTIFS

>>>>>>>>> SMUTT

>>>>>>>>> NURSE

>>>>>>>>> LE POULPE